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nicos1331
Participanttreah wrote:Thanks for prodding my memory, Nicos! I’ve been meaning to add The Strange Remain to my CD collection, but it slipped my mind. I guess this means I’m getting old and I need to start writing these things down!nicos1331
ParticipantZap2010 wrote:I have the 1987 RCA Promo CD The Way It Is Tour-1986.Whew, Bruce Hornsby & The Range The Way It Is Tour 1986-7. They didn’t have many songs back then. I have a concert of theirs from September of 1986, my earliest Range recording.
That’s way back when, back in the days of troglodytes.
It’s a cool thing to have in your collection. The ‘Every Little Kiss’ / ‘Long Race’ era.
-Nicos
nicos1331
Participanttreah wrote:*Wharf Rat, *The Mighty Quinn, *Loser, *Dear Prudence, *Black Muddy River, *That Would Be Something (often sung during the “non-bluegrass” version of Mandolin Rain), & *Sugaree . . .Jackie
nicos1331
ParticipantMr. Hornsby’s senior recital from the University of Miami in the winter of 1977
I am unsure whether this fits into the categories of “most interesting/odd/rare,” but it does stand out in my collection.
There is just nothing like music from the Jimmy Carter era.
-Nicos
nicos1331
ParticipantMy favorite cover songs done by Mr. Hornsby include the following:
nicos1331
Participantrdiakun wrote:Check out the 8/21/95 show from Hagerstown, MD. That’s one of my fav shows from that time period. If you don’t have it, let me know, and I’ll get you a copy.– Rich
nicos1331
Participantrdiakun wrote:nicos1331 wrote:I am referencing 1993 – 1996 only.That is one of my favorite eras of Bruce’s touring band, as well . . . We’re not talking about a LOT of personnel changes, but the shift from having the trumpet and soulful background vocals and no guitar to having guitar and not the rest — that’s kind of a seismic shift in what your sound is.
Rich
nicos1331
ParticipantI finally looked at the Bruce 100.
nicos1331
ParticipantMVF wrote:Nicos, I agree that the “Scenes From The Southside” era is one of my favorites. I saw Bruce & the Range perform right after “Night on the Town” came out. Good concert, but sounded like the CD — not overly spontaneous. I also saw him after “Harbor Lights” came out. It seemed like a totally different sound. Although that era isn’t one of my top favs, I love the songs themselves as played today in concert. Does that make sense?nicos1331
ParticipantThat is a very unique “randomize” playlist. It seems just as strange, obscure, and ‘out there’ as everyone elses. So kudos to you!
-Nicos
nicos1331
ParticipantJust a point of clarification.
nicos1331
Participantdaverich wrote:was it only people who were stoned who liked it? Dave RichThis is an absurdly shortsighted question that I find quite demeaning and insulting as a longtime Dead fan. Please do not try to stereotype their fanbase. It still shocks me that anyone could ask a question that is so utterly offensive, fatuous, and impertinent.
Go up to Capitol Hill and ask longtime Grateful Dead fan Senator Patrick Leahy of Vermont, who has served more than 30 years in the Senate, that same question. I wonder what his response would be.
Fortunately the poster and I both like Mr. Hornsby so the ties that bind us shall remain stronger than those that divide us.
Anyway, that’s my two cents. I aplogize for the harshness but when I see something that truly disturbs and offends me, I feel compelled to reply.
Now I am off to listen to some vintage Dead from the spring of ’77. I think Barton Hall is a good choice.
-Nicos
nicos1331
ParticipantI
-Nicosnicos1331
Participanttreah wrote:” . . .Does anyone have a comeback I should have used?nicos1331
ParticipantMVF wrote:” . . . (is it me, or does R.S. Hornsby sound just a bit like Jerry??)By the way, M.V.F. is correct about R. S. Hornsby & Mr. Garcia. I don’t think it is by accident either.
For the curious, I would highly recommend the national bestseller, ‘A Long Strange Trip: The Inside History of the Grateful Dead’ written by longtime Grateful Dead historian and publicist Dennis McNally. It is THE book about the Grateful Dead. Mr. Hornsby was also interviewed for it. It’s filled with the good, the bad, and the ugly, and written by someone who definitely ‘got’ the Dead.
-Nicos
nicos1331
ParticipantI am one who.
nicos1331
ParticipantPeople have written down some wonderful artists. Thanks to some of the previous posters who listed Talking Heads, Dave Matthews Band, R.E.M., & Pearl Jam. I love those groups and you have reminded to listen to their music. My CD player doesn’t get much use, as I have come to depend on my iPod. This is what I have been listening to the past couple months:
Betty Carter: ‘Betty Carter’s Finest Hour’
Bill Evans Trio: ‘Explorations’, ‘How My Heart Sings’, ‘Moonbeams’, ‘The Complete Village Vanguard Recordings, 1961’, & ‘The Last Waltz’.
British Sea Power: ‘The Decline of British Sea Power, ‘Open Season’, ‘Do You Like Rock Music?’
Bruce Hornsby & Band: 10/26/92 Hilton Head (SC), 04/12/96 San Francisco (CA),
06/05/96 Williamsport (PA), 08/15/96 Hampton Beach (NH),
08/22/06 Charlottesville (VA), & Harbor Lights
08/20/93 World Café Radio (Philadelphia) &
06/21/95 Jazz Café Radio (London)
Coldplay: ‘Violet Hill’ (their newest song)
The Cure: ‘Wish’
Flight of the Conchords: ‘Flight of the Conchords’
The Great Jazz Trio: ‘At the Village Vanguard, vol. 2’
Gustav Mahler: ‘Symphony No. 5’
Jeff Buckley: ‘Live at the Sin-é’ [2 CD Reissue]
John Mayer: ‘Continuum’
Leo Kottke/Mike Gordon: ‘Sixty Six Steps’
Miles Davis: ’Miles Ahead’
The Other Ones: 06/30/98 Uniondale (NY), 07/01/98 Mansfield (MA), 07/13/98 Clarkston (MI),
07/24-25/98 Mountain View (CA), 09/04/00 Clarkston (MI),
09/21/00 Greensboro (NC), 08/29/00 Englewood (CO)
Paul Oakenfold: ‘Resident: Two Years of Oakenfold at Cream’
Playboy: ‘Playboy Jazz after Dark’
Razorlight: ‘Razorlight’
Red House Painters: ‘Old Ramon’
Robert Plant/Alison Krauss: ‘Raising Sand’
Sister Hazel: ‘Sister Hazel’ & ‘. . .Somewhere More Familiar’
Sun Kil Moon: ‘April’
Trey Anastasio: ‘Bar 17’
Whitest Kids U Know: ‘Whitest Kids U Know’Well, that’s what I have been listening to lately. Thankgoodness for my iPod.
-Nicos
nicos1331
ParticipantMy favorite group is the Grateful Dead. I believe they are and have always been underrated. I would disagree and say that Bruce’s music fits in perfectly with the Grateful Dead’s. I am not here to persuade anyone, you can like and dislike whomever you choose. For me, the Grateful Dead will always be my favorite band and an incredible influence on my life.
I do have one big objection to the poster. It is this: The question of whether stoned fans were the only ones who liked the Dead. That question is immaterial in evaluating their (Grateful Dead’s) music. I will not even waste my time by answering such a query that is both injudicious and nescient.
I believe that one can evaluate the music on its own and without outside influence by actors who really have nothing to do with the music itself—song lyrics, song music, arrangement. If you want to have a discussion about their fans or the live performances, then that is a separate issue; a separate discussion.
(The Grateful Dead did participate in the ‘Groupmind’ ethos that allowed interaction between the band and the crowd, but again, that is a separate issue generally limited to live performances and also huge part of the Band’s live existence but again one can evaluate the studio albums–those lyrics, the music, arrangements, the songs themselves, etc. . . on their own.)
I am not sure if I understand the idea of Bruce ‘hankering for greatness’ and what that has to do with the original opinion of the Dead or music or a musical artist. I don’t believe that I even know what that phrase means. But I digress . . .
Even Mr. Hornsby has spoken about how many never really ‘understood’ the Grateful Dead’s music, amazing lyrics, and musical ability (01/30/07 Malibu, CA show after ‘Spider Fingers’). That’s fine by me. After all, a lot of people don’t get Nietzsche, Plato, Socrates, Montaigne, Galileo, Copernicus, Sophocles, Hunter S. Thompson, Descartes, Heidegger, Kierkegaard, Zappa, Aristotle, Shakespeare, John Coltrane, Bret Easton Ellis, Phish, Bill Evans, Big Swing Face, Grayfolded, Infrared Roses, Camp Meeting, Nardis, Night in Tunisia, dissonance, atonality, heavy metal, the blues, folk, bluegrass, punk, classical, opera, bebop, hard bop, gospel, and country, and that in no way diminishes the astonishingly eclectic excellence that can be found in each of them.
So kudos to the original poster for making me realize just how wonderful & important the Grateful Dead really were.
So no, there was no impassioned defense of the Grateful Dead here. People’s musical likes and dislikes are all fine by me. We remain united in our appreciation for Mr. Hornsby’s music.
On an unrelated note, my first rock concert was a Grateful Dead show with Mr. Hornsby on piano. It was at that show that I saw my first ‘Deaf Section’, a section in the audience for deaf people with a signer. It was such a positive feeling knowing that even people who were hearing impaired could ‘get’ and enjoy the Dead, feel the vibrations coarsing through the ground, smile in the summer sun, then dance the night away. That’s really what it’s all about.
If you get it, that’s cool. If you don’t, that’s cool too because for the many people who do get it, it’s something special and awfully good.
I wonder what Mr. Hornsby thinks of the Grateful Dead?
-Nicos
“When a true Genius appears in the World, you may know Him by this Sign, that the Dunces are all in confederacy
against him.” (Jonathan Swift 1667-1745)nicos1331
Participant“Wouldn’t it be cool if Mr. Hornsby played
nicos1331
ParticipantMr. Hornsby does perform ‘rock’ music and he is a ‘star’, so I have no problem calling him a ‘rock star’. Considering that there is no one organization charged with rigidly defining such a phrase, it really makes no difference to me. I believe there is a video game company out there that calls itself, ‘Rockstar Games’, and they don’t even really make music. So if a videogame maker can bill itself as a ‘rockstar’ & it doesn’t even really create music, then surely one can call Mr. Hornsby a ‘rock star’. It doesn’t bother me one bit.
-Nicos
“The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings.” (Shakespeare, ‘Julius Caesar’ Act I Scene II lines 140-141, said by the great Cassius, who helped take down a tyrant.)
March 25, 2008 at 11:18 am in reply to: For all the fans of Bruce’s time with the Grateful Dead #27665nicos1331
ParticipantI am glad to help.
-Nicos
nicos1331
Participant“The accumulation of all powers, legislative, executive, and judiciary, in the same hands, whether of one, a few, or many, and whether hereditary, self-appointed, or elective, may justly be pronounced the very definition of tyranny.” James Madison, No. 47 of ‘The Federalist Papers’.
March 1, 2008 at 12:13 pm in reply to: For all the fans of Bruce’s time with the Grateful Dead #27662nicos1331
Participanttgreene wrote:RFK were the last shows.Thanks for clearing that up.
-Nicos
nicos1331
ParticipantDavid Day wrote:Wow! That’s a tough one! I’ll try. Here are my top 10 as they hit me knowing I have “brain damage”! 😆1. Stacked Mary Possum (Have you had your “daily dose” today?)
2. Candy Mountain Run
3. Tango King
4. Across the River
5. Across the Great Divide
6. King of the Hill
7. Hot House
8. Spider Fingers
9. Pastures of Plenty
10. Defenders of the FlagIsn’t that interesting? None of mine matches Vic’s Top 10. Can we draw some sort of conclusion from that?
:
David Day
Lake Lanier, GAnicos1331
Participantrdiakun wrote:Our dear friend from the South Side of The Sky wrote:[list:8072c]I think a Storytellers is long overdue[/list:u:8072c]
Don’t you know it, man. A Storytellers episde with Bruce would be a perfect fit for his affable way of telling stories both inside and outside of a song, and he’s had great stories to regale us with going all the way back to his early “while the band was jamming” raps with The Range when they played Down The Road Tonight. Come to think of it, a lot of the recordings I have of solo BH solo gigs are very much like Storytellers episodes. Who do we call to get him signed up? His adoring public demands it, even if we would fall just short of the now-legendary and soon-to-be-fabled trouser elephant method of getting his attention as a means of prodding him toward this. How ’bout them Mets?Rich
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